Books with author Stephen Baxter

It Eats Planets. And It's Here. It starts when Venus explodes into a brilliant cloud of dust and debris, showering Earth with radiation and bizarre particles that wipe out all the crops and half the life in the oceans, and fry the ozone layer. Days later, a few specks of moon rock kicked up from the last Apollo mission fall upon a lava crag in Scotland. That's all it takes . . . Suddenly, the ground itself begins melting into pools of dust that grow larger every day. For what has demolished Venus, and now threatens Earth itself, is part machine, part life-form: a nano-virus, dubbed Moonseed, that attacks planets.Four scientists are all that stand between Moonseed and Earth's extinction, four brilliant minds that must race to cut off the virus and save what's left of Earth--a pulse-stopping battle for discovery that will lead them from the Earth's inner core to a daredevil Moon voyage that could save, or damn, us all.

The highly-acclaimed sequel to H G Wells’s THE TIME MACHINE, from the heir to Arthur C. Clarke.Written to celebrate the centenary of the publication of H G Wells’s classic story The Time Machine, Stephen Baxter’s stunning sequel is an outstanding work of imaginative fiction.The Time Traveller has abandoned his charming and helpless Eloi friend Weena to the cannibal appetites of the Morlocks, the devolved race of future humans from whom he was forced to flee. He promptly embarks on a second journey to the year AD 802,701, pledged to rescue Weena. He never arrives! The future was changed by his presence… and will be changed again. Hurled towards infinity, the Traveller must resolve the paradoxes building around him in a dazzling temporal journey of discovery. He must achieve the impossible if Weena is to be saved.

A sequel to the H.G. Wells classic THE WAR OF THE WORLDS, brilliantly realized by award-winning SF author and Wells expert Stephen BaxterIt has been fourteen years since the Martian invasion. Humanity has moved on, always watching the skies but confident that we know how to defeat the alien menace. The Martians are vulnerable to Earth germs. The army is prepared. Our technology has taken great leaps forward, thanks to machinery looted from abandoned war-machines and capsules. So when the signs of launches on Mars are seen, there seems little reason to worry. Unless you listen to one man, Walter Jenkins, the narrator of Wells’ book. He is sure that the first incursion was merely a scouting mission, a precursor to the true attack—and that the Martians have learned from their defeat, adapted their methods, and now pose a greater threat than ever before. He is right. Thrust into the chaos of a new worldwide invasion, journalist Julie Elphinstone—sister in law to Walter Jenkins—struggles to survive the war, report on it, and plan a desperate effort that will be humanity’s last chance at survival. Because the massacre of mankind has begun. Echoing the style and form of the original while extrapolating from its events in ingenious, unexpected fashion again and again, The Massacre of Mankind is a labor of love from one of the genre’s most praised talents—at once a truly fitting tribute to a classic and brainy, page-turning fun for any science-fiction fan.

There is a secret passage through time ...and it leads all the way to the end of Eternity. But the journey has a terrible cost. It alters not only the future but he "present" in which we live. A century after the publication of H. G. Wells' immortal The Time Machine, Stephen Baxter, today's most acclaimed new "hard SF" author, and the acknowledged Clarke, returns to the distant conflict between the Eloi and the Morlocks in a story that is at once an exciting expansion, and a radical departure based on the astonishing new understandings of quantum physics.

A sequel to the H.G. Wells classic THE WAR OF THE WORLDS, brilliantly realized by award-winning SF author and Wells expert Stephen BaxterIt has been fourteen years since the Martian invasion. Humanity has moved on, always watching the skies but confident that we know how to defeat the alien menace. The Martians are vulnerable to Earth germs. The army is prepared. Our technology has taken great leaps forward, thanks to machinery looted from abandoned war-machines and capsules. So when the signs of launches on Mars are seen, there seems little reason to worry. Unless you listen to one man, Walter Jenkins, the narrator of Wells’ book. He is sure that the first incursion was merely a scouting mission, a precursor to the true attack—and that the Martians have learned from their defeat, adapted their methods, and now pose a greater threat than ever before. He is right. Thrust into the chaos of a new worldwide invasion, journalist Julie Elphinstone—sister in law to Walter Jenkins—struggles to survive the war, report on it, and plan a desperate effort that will be humanity’s last chance at survival. Because the massacre of mankind has begun. Echoing the style and form of the original while extrapolating from its events in ingenious, unexpected fashion again and again, The Massacre of Mankind is a labor of love from one of the genre’s most praised talents—at once a truly fitting tribute to a classic and brainy, page-turning fun for any science-fiction fan.

A sequel to the H.G. Wells classic THE WAR OF THE WORLDS, brilliantly realized by award-winning SF author and Wells expert Stephen BaxterIt has been fourteen years since the Martian invasion. Humanity has moved on, always watching the skies but confident that we know how to defeat the alien menace. The Martians are vulnerable to Earth germs. The army is prepared. Our technology has taken great leaps forward, thanks to machinery looted from abandoned war-machines and capsules. So when the signs of launches on Mars are seen, there seems little reason to worry. Unless you listen to one man, Walter Jenkins, the narrator of Wells’ book. He is sure that the first incursion was merely a scouting mission, a precursor to the true attack—and that the Martians have learned from their defeat, adapted their methods, and now pose a greater threat than ever before. He is right. Thrust into the chaos of a new worldwide invasion, journalist Julie Elphinstone—sister in law to Walter Jenkins—struggles to survive the war, report on it, and plan a desperate effort that will be humanity’s last chance at survival. Because the massacre of mankind has begun. Echoing the style and form of the original while extrapolating from its events in ingenious, unexpected fashion again and again, The Massacre of Mankind is a labor of love from one of the genre’s most praised talents—at once a truly fitting tribute to a classic and brainy, page-turning fun for any science-fiction fan.

Urban expert John Rossant and business journalist Stephen Baker look beyond the false promises of the past to examine the real future of transportation and the repercussions for the world’s cities, the global economy, the environment, and our individual lives.Human mobility, dominated for a century by cars and trucks, is facing a dramatic transformation. Over the next decade, new networked devices, from electric bikes to fleets of autonomous cars, will change the way we move. They will also disrupt major industries, from energy to cars, give birth to new mobility giants, and lead to a redesign of our cities. For Rossant and Baker, this represents the advance of the Information Revolution into the physical world. This will raise troubling questions about surveillance, privacy, the dangers from hackers and the loss of jobs. But it also promises startling efficiencies, which could turn our cities green and, perhaps, save our planet.In an engaging, deeply reported book, the authors travel to mobility hotspots, from Helsinki to Shanghai, to scout out this future. And they visit the companies putting it together. One, Divergent3d, is devising a system to manufacture cars with robots and 3D printers. PonyAI, a Chinese-Silicon Valley startup, builds autonomous software that perceives potholes, oncoming trucks, and wayward pedestrians, and guides the vehicle around them. Voom, an Airbus subsidiary, is racing with dozens of others to operate fleets of air taxis that fly by themselves.Hop, Skip, Go is about us: billions of people on the move. Underlying each stage of mobility, from foot to horse to cars and jets, are the mathematics of three fundamental variables: time, space and money. We measure each trip we take, whether to Kuala Lumpur or the corner drugstore. As the authors make clear, the coming mobility revolution will be no different. As they unveil the future, the authors explore how these changes might revamp our conception of global geography, the hours in our days, and where in the world we might be able to go.

3000 A.D. Years ago, humans colonized Mars, bringing with them specimens of long-extinct Earth life for regeneration on this new frontier. But humankind has disappeared, and the animals have been left behind to fend for themselves. Icebones, daughter of Silverhair, had been the only adult mammoth taken to Mars. As such, she is now the only one of her kind who carries the accumulated knowledge of mammoth history, and it is up to her to teach her fellow mammoths how to survive -- and thrive -- without their human keepers. In the grand tradition of Watership Down, Stephen Baxter has created a complex society complete with elaborate myths and legends. With Icebones, he brilliantly and dramatically brings the acclaimed Mammoth trilogy to its resounding conclusion.

It started the night Geena and Henry broke up. What was that strange light in the sky? A new star? A comet? Neither. It was the death of Venus. As if to commemorate the end of NASA's golden couple, our neighbor planet exploded into a brilliant cloud of dust and debris, showering the Earth with radiation and bizarre particles as big as bacteria--wiping out all the crops and half the life in the oceans, frying the ozone layer, forcing survivors to wear protective suits on city streets. Days later, a few specks of moon rock kicked up from the last Apollo mission fell upon a lava crag in Scotland. That was all it took. The ground itself began to shimmer, forming pools of luminous, almost liquid dust. Pools that grow larger every day, as the cultists of Infinite Egress drum and chant with apocalyptic joy... So begins Stephen Baxter's most ambitious, most exciting, and ultimately most fascinating novel: Moonseed, the story of a menace that falls to Earth from an unimaginably distant past, pushing us to the brink of an extinction event unparalleled in our planet's history. For what has demolished Venus, and now threatens Earth itself, is part machine, part life form: a ten-dimensional superstring nanovirus that literally eats rock, transforming it into liquid, and then into molecule-size black holes that devour the very fabric of space time. Feasting on Edinburgh's primeval basalt, Moonseed is steadily eating its way toward Earth's core. The death toll rises by the hour as buildings collapse into streets that flow like water; as hundred-foot tsunamis obliterate Seattle and Vancouver; as volcanoes sprout like weeds across the planet's quickly decaying mantle. NASA "rock-jockey" Henry Meacher and his Japanese colleague, Blue, race to cut off the virus and save what is left of the Earth. Meanwhile Henry's ex, Geena, straps in with a Russian cosmonaut for a daredevil Moon voyage, ultimately reuniting with Henry and searching for the lunar ice deposits that might make possible the greatest evacuation since Noah braved the Flood. And a mother and her young son clamber for the last solid ground in the liquefying Scottish Highlands, under the baleful stars of a dying universe... Audacious beyond comparison, grand in conception, and gripping in execution, Moonseed is the first modern novel to do justice to the awesome terror and promise implicit in quantum physics. Like all of Baxter's work, it blazes new paths from which science fiction will surely follow in the years to come, and becomes required reading for anyone wishing to understand the awesome promise--and threat--revealed by modern science.